#BEACH HOUSE BLOOM TORRENT MOVIE#
You enter their records the way you settle into a movie seat, asking to be subsumed and bathed in light.
#BEACH HOUSE BLOOM TORRENT FULL#
These perspective tricks are the tools of film-making as much as of music, and Beach House’s music is full of cuts, dissolves, fades, super-imposures. She’s never sounded bigger, or less mortal, than she does here. When the track fills out-some guitars, resonant drums, a choral patch-they appear as if from inside her rib cage. On “L’Inconnue,” her vocal lines pan from left to right and pool in on themselves. On “Dive,” she sounds as imposing as the thumping drums, but a humming synth the size of a music box runs alongside her, confusing your sense of scale. Legrand’s voice doubles on the chorus of “Pay No Mind,” transforming her from wisp to leviathan in an instant. Most of the record feels recorded and mixed from a low spot gazing up, with sounds looming above, but then grass-blade details resolve themselves in the foreground. You are never quite sure about the size of the sounds on a Beach House song intimate moments are massive, and vice versa. This is the first Beach House record that, in headphones, will make you feel buffeted. Low-end sounds, like the thrumming guitar that pierces “Dive” have real menace: The insistent thud inside “Drunk in LA” is like a hand tapping your solar plexus. The gentle drum programming of earlier records has been swept aside for thunderous crashes: The drums on opener “Dark Spring” have the resounding weight of My Bloody Valentine’s “Only Shallow,” and the mix has a smeared, heat-sick quality that brings all of Loveless to mind. It’s darker, thicker, set at a deeper spot in the woods. The result is their heaviest and most immersive-sounding album. With 7, they’ve parted ways with longtime producer Chris Coady and teamed with Panda Bear and MGMT producer and former Spacemen 3 member Peter Kember, who goes by Sonic Boom. But with each album, they somehow render this terrain alien again, allowing us to run our hands over the same irregularities in fresh astonishment. They usher us repeatedly into familiar territory and encourage us to notice the same things within it: the way a dim glow never surges or abates, how sensations burrow into the mind and color our memories. Inducing indefinable yearnings, tracing patterns in the air-this is the essence of Beach House’s art. “We spend a lot of time creatively making mountains out of nothingness,” Scally added. It’s the magician’s pre-trick pantomime, where he turns up his palms and rolls up his sleeves, for no other purpose than to make you lean in closer and grin harder.
What did all this mystical numerology amount to when you squinted at it? Nothing of course, except to set the stage, light the incense. The album brought their catalog to 77 songs, and the record’s initial issue number was 777.
#BEACH HOUSE BLOOM TORRENT PLUS#
The first single, Scally noted slyly to Pitchfork, came out on February 14-2/14, or two plus one plus four equals seven. You could sense the now-venerable Baltimore duo playing this game in advance of their seventh album, simply called 7. You would finally understand if you came closer, stayed longer, looked deeper. The implicit promise has always been that if you opened up entirely, gave enough of yourself, the nameless sensation they evoke would finally come into focus, and the shapes moving beneath the surface of their music would resolve. It does not store any personal data.Over six albums, Victoria Legrand and Alex Scally of Beach House have offered the same enticement: There’s a place I want to take you help me to name it. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary".
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